With each new piece, Sarah Sitkin comes closer to permanently blurring the line between what appears real and fake, challenging some of our most inherent sensibilities.
This is "Wooden Toy", a bi-weekly column by Kris Evans that explores the creative lives of different skaters, and shows how a simple toy with four wheels has changed lives and formed careers.
We talk with Andrew Faris about artistic reinvention and what it's like living and creating in Wyoming after having done so for so many years in both Los Angeles and New York.
Friendman's photographs are remarkable documentation of the ideologies and subcultures that leveraged an entire generation. A photography legend indeed.
Sussingham grew up on Long Island, used to the convergence of assorted cultures and people, all of which he captures in his photos. From city sidewalks to friends' living rooms, Sussingham makes the most of his surroundings, employing his cameras rather than effects to grab the attention of his audience via the attention of his subjects.
Although he was one of the first photographers to chronicle the American west in the late 19th century, few know of Timothy O'Sullivan. A true photographic pion... Read More...
Dana Stirling is a storyteller, and a damn good one at that. A visual narrator, Stirling unfolds past and present through anonymous people, objects and things, wrapping her own self expression in expressionless beauty and attacking her memories from an abstract vantage point.
About a week and a half ago, Luke Pelletier packed up his life in Brevard, North Carolina, jumped in the car with his brother Tristan Pelletier and headed to Los Angeles.
As natural observers, we learn and understand with our fives senses—that is, until they’re impeded by things such as geography or time, in which case we look to outside experiences to fabricate our own. Enter photography: the window to shared places, moments and experiences from which we inform our own by others’ documented memories. For photographer Yoav Friedländer, those shared memories are more than memories, but opportunities to develop personal meaning and effect.
To Justin Clifford Rhody—an Oakland, CA native with free-form photography down to an archival science of sorts—the experience of a photograph is to be interpreted by the experiencer, whether that lives in his interactions with subject and film or in the onlooker’s self-diagnosis of a photo’s weight.
A black-and-white photograph titled "White Skates" perfectly captures the provocative, sensual and enigmatic style of Sally Mann's stunning photography. Mann's older daughter, Virginia, stands naked and poised in some white roller skates on a wood deck with her siblings. Her pale body is luminous; it appears sun-kissed and at the center of the intense summer light behind her.