Desert Daze has released the third phase of the lineup, and the acts included only make the excitement for the October festival that much more unbearable.
We're happy to premiere Kermit Obert's first single “Take It Out,” the acoustic bedroom tune that reflects on bitter people and their inability to put their pent-up rage into something healthy so they “take it out on whoever’s around.”
Alexis Taylor just released his 3rd solo album, Beautiful Thing, a dreamy, electronic record with harsh, cutting instrumentals keeping listeners on their toes.
The way songwriter and vocalist, Julia Jacklin comfortably embraced the stage at the El Rey, she could’ve been playing for her closest friends at a bar.
Alex Lahey nailed each and every song during her set in LA, and while I want to spare you from music journalism cliches, I won’t; she’s just better live.
Scenario: you’re on tour with your band and some gear gets stolen. Ok, you recover, it’s not the end of the world. You wake up a few days later to discover that this time almost all of your gear was stolen.
Jess Williamson embraces the ever-present sunshine and the type of 60s guitar that dominates Southern California’s music to create something truly hypnotizing and authentic.
While the world is falling apart around us, Sheer Mag is here to act as a beacon of light, to be a voice for those who’ve yet to find theirs, and to bring like-minded people together.
Not all millennials are consumed by how their perceived on the internet. Disillusioned photographer, Ella Mikayelyan, captures the human existence in all of it’s sad, pessimistic, washed out beauty.
We catch up with White Reaper to see what’s changed since their new title as "The World's Best American Band," 70’s icons, and how Milky Chance definitely wouldn’t make their lineup.
