Creatives and co-curators Katja Horvat and Paige Silveira bring us nineteen self-established young artists, varied in medium but certainly not in taste.
Marina Fini’s aesthetic is potent. Through color, light, and energy, her installations, or healing spaces, offer relief from reality and the fallacies that attach to it.
We premiere the trailer for Emily's new film and chat with her about growing up in Texas, her directorial debut, and dreams for Jane Street Productions.
Wastedland 2 plays on an adventurous search for weed, beer, and of course, walls to paint, as secret vandals run amok as a closed society of profound and carefree artists.
We had one of our writers shoot a roll of film during his first month in San Francisco. It's interesting to see what people are drawn to given 24 frames.
Part 2 of our film photos from our trip to the Women's March on Washington last Saturday Jan 21, 2016, where we marched alongside hundred of thousands of empowered people.
Saturday changed us all forever because we were all together. And until our voices are heard and used in order to create a country that strives on equality and empathy, we're not going home.
Chelsea Bayouth loves a challenge. She loves to dig her teeth in, and figure out a way to physically create what usually starts out as a scribbled note in her sketchbook.
To Justin Clifford Rhody—an Oakland, CA native with free-form photography down to an archival science of sorts—the experience of a photograph is to be interpreted by the experiencer, whether that lives in his interactions with subject and film or in the onlooker’s self-diagnosis of a photo’s weight.
The importance of the visuals going on behind your favorite musicians as they stand on stage is often overlooked as we stare and become transfixed by the music. But bad live visuals can understandably detract and distract from the actual performance.
