Artist and designer Lucas Reif uses the process of independent publishing to turn temporal performances and audio imagery into stunning archival objects.
Influenced by old rave, punk, and metal show flyer aesthetics, the San Francisco-based artist examines what has come before him in order to not only inform his creations, but also to reconstruct into new, head-turning compositions.
Winston Tseng's massive body of work can be found anywhere from skateboard graphics, to apparel and has even made its way into the Smithsonian Institute.
Drawing inspiration from the soft textures of shag carpets and the aesthetics of her childhood home, Adamerovich’s work is filled with playful nostalgia that conveys a peaceful easy feeling.
There is a tremendous amount of charisma in the vibrant creations of artist Chris Uphues. The worlds and characters Uphues creates seem to be somewhat of a G-rated acid trip
Francisco Reyes Jr., better known by his alias Never Made, has some of the most original ideas and they are executed flawlessly in his unique style and disciplined color palette.
Hey, Philly: How about a lesson in perspective? Artist Scott Albrecht isn’t interested in the moving parts that sway them, those stimulating variables we unwittingly absorb; he’s interested in how we exert them as members of a sentient community.
Scott Albrecht's work is a realized cooperation of his artistic trainings (formal and passed-down; digital and tangible) and his day-to-day motions. The clickable meets the material meets the unscripted, essentially, via woodworking, graphic design, collaging and the pairing of ink and paper.
In our second installment of "Wooden Toy" Kris Evans chats up Josh Manoles, who has worked for RVCA and Element Skateboards as a graphic designer and who is continually influenced by skateboarding's ability to make you look at the world differently.
We talk with Andrew Faris about artistic reinvention and what it's like living and creating in Wyoming after having done so for so many years in both Los Angeles and New York.
