Wherever you’ve discovered Ben Montero’s work, one thing's for sure, when you did see it, you probably laughed a bit because that’s what Montero’s work does
Our Australian pals, Rolling Blackouts Coastal Fever, provide us with the perfect medley of tough pop and soft punk, that captures the looming gloom of fall starting to implode everywhere around us
Melissa Grisancich's work for her solo show "Moonflower" evokes characteristics of old circus posters and the aesthetics of a traditional tattoo, but with a modern romantic twist to it.
Some of the first places that Chloe Kovska discovered the aesthetics she liked most, was in comic books, fantasy art, and sneakily watching erotic and vintage cartoons.
Sean Morris' titillating illustrations have gone through a lot of different incarnations over the years. We talk with the Melbourne-based artist for his feature in upcoming issue 08.
Harley Jones' most recent solo show, "Today Can Go To Hell," came out of understandable dislike for Valentines Day, or at least the title for the show did anyway.
Australia artist Susanna Rose Sykes bears the female form in an honest and psychedelic style that we simply can’t get enough of. With a schooling in both fashion and illustration, Sykes teams the two with traces of alternative coming-of-age to create ingenious candid characters floating through the void between adolescence and adulthood—that in-between realm of radical ups and downs.
Via Melbourne, Australia via the Soviet Union, DIY savant Stanislava Pinchuk – or Miso, as she artistically authorizes – creates and shares beautiful hand-mades. She creates without dimensional limitations, sketching, designing, tattooing and publishing.
