Alfonso Gonzalez Jr. takes overlooked expressions of art found in his surroundings and incorporates them in paintings that depict a localized perception of his hometown.
In the most natural ways, Matt takes his personal stories and transcribes them onto the canvas through imagery—whether it be metaphorical or representational—that the viewer can attach their own personal experience to.
Mister Green creates products and a space that are design-forward but still hearken back to the feelings and aesthetics of the counterculture movement.
Jerry Hsu's new book, 'The Beautiful Flower is the World,' is a curated “feed” of cell phone photos — shot only with his Blackberry phone — documenting absurdities, unplanned snapshots of friends and strangers, skate culture, roadside curiosities, and anything else that Hsu deemed sharable.
Historian, archivist, and activist of his people, photographer William Camargo points his camera at his Chicanx community to shape its collective identity.
While BackBeatRags remains an homage to the classics, owner Isadora Alvarez has a keen eye for incorporating contemporary colors and shape to each garment.
Skateboarding has not only become King's therapy, exposing her to a close-knit community of women skaters, but also serves as a catalyst for her creativity and ultimately has put her in a place where she feels like she can be her authentic self.
Dedicated to blending the boundaries between modern design and traditional craft, Someware Goods is a socially conscious lifestyle brand that focuses on housewares and accessories handmade by artisans in Colombia.
Amongst smiley faces, dancing Kokopelli, and Grateful Dead stealies, the book chronicles a range of Joe Roberts' unapologetically hallucinogenic art style.
Multimedia artist Emma Kohlmann exists in three different worlds: her quaint, quiet life in North Hampton, Massachusetts; her social, gallery-hopping life in New York City and Los Angeles; and the indefinable otherworldly life she has created through her colorful and abstract watercolors.
