During a studio visit with Brian Lotti, we got to talking about Los Angeles' changing landscape and how his undying connection to the streets informs his work.
With its sugary pastel tones and dreamy gradients, Maxwell McMaster's work is nostalgic but with a clean, contemporary edge that creates delicate details that shine when the painting is complete.
Our good homie Rob Crawford has curated an amazing art and music show at the Good Bar in Long Beach on April 1st, called Ain't Foolin' Around, with all proceeds going to the fight to keep Channel Street alive.
"Thanks for Sharing" makes the case that we humans are in this together and that humankind can maximize it's peaceful potential by working together, sharing ideas, and respecting one another.
Cristina's potency lies in her ability to take both the abstract and representational, and unite the two within her color palette, which pulsates so hard it threatens to jump off gallery walls.
Alex contributed two illustrations to our recently released tenth printed issue and took a moment to tell us a little more about his life in Portland, why he continues to make art, and what music he currently has on heavy rotation.
Big Bud has undoubtedly evolved into a full-fledged fashion label, boasting everything from backpacks and pins to bomber jackets and tees, all doused with a range of lush, almost juicy, colors of the rainbow.
Kingsley Ifill and Daniel Albrigo's show, MUSCLE, opening at Paul Loya Gallery, explores the masculine identity through these iconic symbols and the voyueristic nature of finding a connection to professional sports figures.
Orkideh Torabi's newest collection entitled, "New Paintings," lampoon patriarchal society, depicting men as absurd clown-like figures and caricatures of male archetypes.
