Creatives and co-curators Katja Horvat and Paige Silveira bring us nineteen self-established young artists, varied in medium but certainly not in taste.
Marina Fini’s aesthetic is potent. Through color, light, and energy, her installations, or healing spaces, offer relief from reality and the fallacies that attach to it.
Drawing inspiration from the soft textures of shag carpets and the aesthetics of her childhood home, Adamerovich’s work is filled with playful nostalgia that conveys a peaceful easy feeling.
Anyone who knows Jack Herzog would say he’s one of those rare and genuine characters who doesn’t take himself or anyone too seriously, and after visiting his studio in Los Angeles and glancing at his new body of work, nor does his art.
We're endlessly interested in the work of artist Kingsley Ifill. He has a punk aesthetic and an undeniably fascinating way of taking a valueless image and manipulating it into a complex visual arrangement or painting.
Troy Lovegates, who is currently based in Oakland, will be showing work that portrays his heavily-patterned and color-saturated works on canvas and paper, as well as wooden sculptures.
Melissa Grisancich's work for her solo show "Moonflower" evokes characteristics of old circus posters and the aesthetics of a traditional tattoo, but with a modern romantic twist to it.
Luke Pelletier was known on campus as the artist to watch out for. In 2013, Luke and I met during the spring semester of our sophomore year at the School of the... Read More...
"The Cardboard Artist" is a short film by Matthew Kaundart that follows street artist Calder Greenwood as he offers a deeper understanding about the meaning of his cardboard sculptures.
With each new piece, Sarah Sitkin comes closer to permanently blurring the line between what appears real and fake, challenging some of our most inherent sensibilities.