Kentaro Okawara never stops creating. In fact, in one month under quarantine, he made fifty paintings — each one exudes the brightly-colored and charmingl... Read More...
There aren't many instances where you encounter a Matisse painting, a Windows internet browser, Leonardo from the Teenage Mutant Ninja Turtles, a poodle, and a... Read More...
“It fucking hurts to be alive/Oh, the fragility of life.” No, this isn’t a lyric from one of your favorite emo punk records; it’s the opening line of Whitmer T... Read More...
Every so often I meet someone, who after talking and spending some time with them, I think to myself, damn I wish I was that positive and zen. I’m not by any m... Read More...
From a small farming town to the ever-creative Bay Area, Roy G Biv has worked to churn out killer psychedelic illustrations that inhabit the music world that inspires him.
Issue 18 artist, Jan Gatewood, speaks with Los Angeles-based artist Adam Alessi about the current state of Adam’s practice as he works toward an upcoming solo exhibition.
Greene investigates dense subjects in her beautifully airbrushed and hand-painted pieces that most often depict braided brown hair intertwined and existing alongside lush, green plant leaves, or non symmetrical shapes covered in a layer of fur-like hair follicles.
Observing the artwork of Adam Brierley is like taking a trip down memory lane—aged textures, crayon scribbles, fast cars, and the Wild West all juxtaposed together in a crazed melody.
There's a delicate femininity and quirky frankness to both Ilana Jegers and her work. Tiny details reveal themselves the longer you spend with each piece.
In her brand new show, Grapejuice, Patricia Renee' Thomas is fascinated by the preparations of being a “presentable” black woman, and how doing hair is a universal experience of black female performance.
