Harley Jones' most recent solo show, "Today Can Go To Hell," came out of understandable dislike for Valentines Day, or at least the title for the show did anyway.
Micah Stahl is a people-watcher. No one is exempt from inspiring his next doodle. Whether it's an old couple haggling over where to eat, fellow students in Stah... Read More...
Helen Popinchalk and James Weinberg are the kind of people that get excited when thinking about fluorescent paint and 140lb White French Construction paper.
At any given moment, on any given day, you can find illustrator Bill Rebholz huddled over his desk, sketching long-legged gentlemen gripping their oblong belongings. He draws simplicities sans simplicity, exaggerating all interactions, aspects and ratios to parade the detailed oddities of life.
Jacky Sheridan’s work always begins in black, hand-drawn ink—a hardened practicality most artists can’t shake. In observant detail the Irish illustrator conveys complexity in simple outlines and colors, giving way to to life's details without hindering its absurdity.
It’s not only the level of detail in Andrew Khosravani’s drawings that is seemingly inherent to his style; it's the underlying symbolic nature too. With black and colored pencils he creates dynamic worlds in lovely spectrums of color that evoke a range of historical art forms.
The confined chaos within Carter Quick's images and short videos hits you instantly, as though the vibrant disorder within each shot is actively trying to push its way through the edges of the photograph.
A life too serious becomes ripped of its meaning, dried out and hung up, not even suitable for show. Without room for human error (read “a humane touch”), life is not our own—a sad reality for those steadfast realists.
With an embedded obligation for exploring all of it, Mongeau has made traveling his art form as innately as photography—his photos are harmonious with his travels; his travels, harmonious with his work. Saturated not only in natural hues and depths but in experiences, Mongeau’s work captures the staunch essence of living—without fear and without graveness—perfectly nested between the beauties of reality and escapism.
Rachel Merrill works mostly the old-fashioned way, wrestling valiantly with watercolor and pencil. She works across illustration, comics and fashion and her signature style is heavy on effervescent tones and devoid of extraneous detail, making for works that straddle a magical line between rigorous and wistful.
Rory Hamovit's photographs leave a strongly cinematic impression, demonstrated by his portfolio, as a kind of montage of fragmented images, all the while synthesizing a pictorial language that isolates things in order to enhance their symbolic quality.
