Marina Fini’s aesthetic is potent. Through color, light, and energy, her installations, or healing spaces, offer relief from reality and the fallacies that attach to it.
It makes perfect sense that Ashley Mary counts Pee-Wee’s Playhouse among her influences; her world is equally colorful, cheerful and her own and like her clothes, her studio is a seamless continuation of her aesthetic.
If there’s one thing artist Hellen Jo consistently proves, it's that she will always defy expectations and fight against restrictions, even those self-inflicted.
"This is super corny and cliche, but I think there are certain people that live a creative lifestyle and look at things like, 'Hey I could buy this, but I’m gonna make my own.'"
Francesco Igory Deiana's work offers commentary on the way in which our increasing dependence on everything digital has overshadowed the primacy of human relationships.
Influenced by old rave, punk, and metal show flyer aesthetics, the San Francisco-based artist examines what has come before him in order to not only inform his creations, but also to reconstruct into new, head-turning compositions.
We spent the day in Jen's studio talking about psychedelia, plants, and her collaboration with Miley Cyrus for the MTV Video Music Awards in this Amadeus short directed by Matthew Kaundart.
California-born fashion designer and self-proclaimed “stitch witch,” Judith Rothman-Pierce, knows a thing or two about creating clothing that seduces the senses
Eric Trine’s work is firmly rooted in the fundamentals of Modern design, but with the playfulness of a freewheeling artist who doesn’t approach design through a clinical lens.
Winston Tseng's massive body of work can be found anywhere from skateboard graphics, to apparel and has even made its way into the Smithsonian Institute.
